FX5 Cinema Line Full-frame camera - 11 / 6

Sony

FX5 Cinema Line Full-frame camera

£3,915.00 + VAT

All prices exclude VAT · VAT invoice provided upon purchase

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About the Sony FX5 Full-Frame Cinema Camera

The FX5 is the uncompromised cinematic tool you asked for. It features 5K Open Gate, Internal RAW, and 15+-stop dynamic range. Built with a removable EVF, dedicated Timecode, and 32-bit Float audio to bridge the gap between compact agility and professional set performance.

UNCOMPROMISED CINEMATIC FREEDOM

Experience ultimate creative flexibility with 5K Open Gate and Internal RAW recording across three professional codecs. Supporting wide anamorphic ratios, this sensor allows you to capture the full picture for any delivery format, providing the flexible, high-fidelity workflow that professional work demands.

ELITE IMAGE FIDELITY IN ANY LIGHT

The new 16.6MP sensor paired with the BIONZ XR2 processor delivers a massive 15+ stops of dynamic range for stunning highlight retention and shadow detail. Featuring three Base ISO and dual-gain technology, this system ensures exceptionally clean, noise-free imagery even when shooting in the most challenging low-light environments.

PRECISION PERFORMANCE AT HIGH SPEED

Capture the most intense action with 4K at 120p and 5K at 60p recording*. A significantly faster sensor readout speed minimizes rolling shutter, while the improved low-light AF ensures critical focus is maintained during high-speed sequences, making it the most reliable tool for solo operators and B-cam professionals alike.

 *5K 120p and 4K 240p coming in firmware V2.0, planned to be available in August 2027 or later.

MODULAR MONITORING AND ERGONOMICS

Designed for the rigors of the set, this body features a removable tiltable EVF and a larger 4-axis multi-angle LCD monitor. Whether you are stripping down for a gimbal or building up for a full production rig, the refined ergonomics and high-level monitoring support provide the tactical feedback professionals need.

SEAMLESS MULTI-CAM INTEGRATION

Bridge the gap between compact filming and full-scale production with dedicated Timecode (TC) cable compatibility. With 32-Bit Float audio recording through the handle and dual USB-C ports, this camera integrates perfectly into professional workflows, ensuring your audio and video remain perfectly synced and your data transfers are lightning-fast.

RELIABLE POWER AND CONNECTIVITY

Built for the modern cinematographers, the FX5 introduces a new high-capacity battery and enhanced Wi-Fi stability for mission-critical tasks. With 4K 60p live streaming capabilities and advanced network security, you can deliver professional-grade content directly from the field with absolute confidence and stability

 

Lighting the Way Forward

Lighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realise their vision with greater precision, control, and expressive potential.

5K full-frame fully-stacked Exmor RS™ CMOS sensor for speed, detail and latitude

The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.

BIONZ XR2™ with integrated AI processing for enhanced shooting support

The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation and more. Its integrated AI processing supports advanced subject recognition and deep-learning-based illumination estimation for more accurate Auto Tracing White Balance (ATW) and more dependable shooting support in demanding conditions.

Open Gate and other image scan modes

The FX5 offers full-frame Open Gate recording — a first in the Cinema Line FX series. With 5K up to 120 fps (FF 3:2), 4K up to 240 fps (FF crop) and more, it gives you the freedom to adjust framing, speed and workflow to realise even the most ambitious vision.

Internal X-OCN compressed RAW video recording

Capture 16-bit scene-linear X-OCN internally, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.

Wide 15+ stop latitude with low noise

Wide 15+ stop latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, so scenes retain a more convincing sense of depth and mood while giving you footage that is easier and more flexible to grade.

Dual Gain Shooting debuts in the Cinema Line FX camera series

Dual Gain Shooting maximises latitude while reducing noise to enhance shadow details. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.

Three Base ISO settings for effective noise control in any environment

Three Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.

High-frame-rate capture, including 5K at up to 120 fps

High frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 120 fps22 and 4K at 240 fps, giving creators the power to capture fast-paced action with impressive detail and clarity — ideal for everything from cinematic storytelling to sharp sports and documentary footage.

Precise, reliable AF and tracking with AI-based subject recognition

With built-in AI processing, the BIONZ XR2 engine accurately recognises human, animal and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to support confident focusing in demanding situations, including darker scenes. Real-time Tracking also helps the camera stay with the subject smoothly and precisely, even when depth of field is shallow.

Built-in de-squeeze for anamorphic shooting

Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.

Deep learning-based illumination estimation

Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate colour reproduction even under lighting conditions that previously tended to cause colour cast.

Wide-gamut colour for more grading control

With colour gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad colour information for more precise grading and easier colour matching with VENICE 2 in multi-camera shoots. Smooth tonal expression and stable colour reproduction also help you achieve the intended look with greater accuracy.

S-Cinetone™ for a refined cinematic look

S-Cinetone brings Sony cinema colour science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.

Three S-Log3 modes for flexible workflows

From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO to capture imagery with maximum latitude. You can also import up to 16 user LUTs allowing you to monitor the intended look while shooting.

5-axis stabilisation for steadier handheld shooting

A precision stabilisation unit and gyro sensors combine to provide optical 5-axis in-body stabilisation. An enhanced stabilisation unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake. Dynamic active Mode adds extra electronic support, and embedded stabilisation metadata can also be used in post-production34 for a more controlled final result.

Lightweight, compact design for agility on set

The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions.

High-quality 96 kHz / 32bit float audio recording

The XLR handle unit supports two XLR/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz / 32bit float audio recording. With up to four channels of high-quality capture, it also supports independent 32bit float WAV recording alongside video audio for more flexible on-set sound workflows.

BIG6 (HOME) screen for faster on-set control

Inherited from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen brings six essential settings — frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance — together on one clear home screen for faster operation. Touch control, the multi-function dial, and CineAlta Fixed/Variable frame-rate control help crews work quickly while keeping critical settings visible at a glance.

Optional OLED viewfinder DVF-EL1 for easier outdoor monitoring

Add the optional OLED viewfinder for more immersive monitoring in bright locations. Its 3.5-type panel features approx. 7.07 million dots, DCI-P3 equivalent colour gamut, 10-bit display, HDR monitoring support, and 0.90x magnification, while the 0°-90° tilting design and selectable display modes help adapt monitoring to different shooting styles.

3.5-type monitor with 4-axis multi-angle design

The 3.5-type 16:9 aspect monitor tilts 98° up, 40° down and 180° sideways, and rotates up to 270° when open. A high-brightness panel with 15 brightness settings, fine control of image inversion display, and neatly organised on-screen shooting information all help make monitoring clearer and more flexible on set.

Clear tally visibility

Configurable front and rear tally lamps make REC/STANDBY status easier to see, and a red frame can also be shown on the monitor during recording. This helps you confirm recording status at a glance, even when a rig or gimbal makes the screen harder to view directly.

Clear Image Zoom for smoother, more intuitive framing

Clear Image Zoom adds a [Smooth Priority] mode that enables seamless zoom from the optical wide end up to 2x digital zoom. [Optical Zoom Priority] is a zoom mode that prioritises image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over. Seamless zooming can also be controlled from the zoom ring on compatible lenses for more intuitive, consistent framing.

Dual CFexpress Type A/SD card slots for flexible media workflows

Dual CFexpress Type A slots support relay, simultaneous, and separated recording while also accepting SDXC (UHS-II/UHS-I) cards. Main and proxy files can be recorded to different slots, giving productions more flexibility in media choice, backup strategy, and file handling.

Flexible mounting points

Five screw holes for accessory mounting are provided around the body, with two more on the bottom for tripod mounting. The result is a body that is easier to rig and expand directly with essential accessories.

Durable, sealed body design

Refinements throughout maximise dust and moisture resistance for high reliability in demanding conditions. Sealing is used at exterior joints and around the battery cover to help prevent moisture and dust ingress, and the cooling fan is housed in a separate chamber for added protection.

Cooling designed for uninterrupted 170 minutes of recording

An efficient fan cooling system and advanced design deliver up to 3x the airflow, keeping the camera cool even when the LCD monitor is closed. Three fan modes [Auto], [Minimum] and [OFF in REC] let you balance cooling and operational noise to suit the environment and the production.

Catalyst Prepare and Catalyst Prepare Plugin

Catalyst Prepare and Catalyst Prepare Plugin use camera metadata for fast shot review and correction. They provide format support, including X-OCN LT/C1/C2, along with key features such as stabilisation, lens breathing compensation, colour/LUT tools and transcoded export.

Monitor & Control for remote operation from mobile devices

With the Monitor & Control app, a smartphone, tablet or Mac becomes a flexible second screen for monitoring, camera settings and operation. It is a simple way to extend control for solo shooting, compact rigs, and other productions where flexible remote operation is useful.

Flexible monitoring, power and timecode connections

The HDMI Type A output port supports flexible external monitoring, with the option to display shooting information on both the camera LCD and an external monitor, or separate status information from the image output. Dual USB Type-C® ports support power delivery and timecode input via an optional adapter cable.

Accessibility features for more creators

Screen reader support, a menu magnifier, and other accessibility aids help make the FX5 easier to use for more creators. The lens mount index, multi-function dial, and buttons are designed so they can be easily located by touch, supporting more confident operation.

Wired and wireless LAN connectivity for remote workflows

High-speed wired LAN and built-in Wi-Fi 802.11ax with 2×2 MIMO on 6 / 5 / 2.4 GHz bands support smoother remote control, file transfer and connected production workflows. Wired LAN support for 2.5GBASE-T, 1000BASE-T and 100BASE-TX also helps the FX5 slot more easily into modern multi-device and networked productions.

Recycled materials in Cameras

At Sony, our Road to Zero plan aims to achieve a zero environmental footprint by 2050. We use SORPLAS™, our durable, high-quality recycled plastic material, wherever possible to reduce stress on the environment without compromising performance. More than 30% of this product is made of recycled plastic, including SORPLAS. Our imaging product manufacturing facilities in Thailand and China also operate on 100% renewable energy.

Planned post-launch support

Updates are planned to add support for HFR shooting up to 240 fps in X-OCN, XAVC S‑I recording in a 3:2 aspect ratio with full-sensor readout, an optimised user interface for vertical shooting, and a frame grab function.

Non-plastic packaging materials

Sony is working towards the use of non-plastic packaging materials that provide ample protection against shock and impact. We use plant-based non-woven fabrics for product bags, further reducing plastic usage and minimising environmental stress.

Specifications

Camera type
Interchangeable lens digital camera
Lens mount
E-mount
Type
35mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor
Number of pixels (effective)*1
Approx. 16.6 megapixels max.
Number of pixels (total)
Approx. 18.2 megapixels
Optical low pass filter
Yes
Latitude
15+ stops (S-Log3)
Color temperature range
2000 K - 15000 K
Anti-Dust function
Yes
Video compression
X-OCN
Video compression
XAVC HS: MPEG-H HEVC/H.265
Video compression
XAVC S: MPEG-4 AVC/H.264
Audio recording format
LPCM 4ch (48 kHz 24 bit), PCM 4ch (48 kHz 32 bit float)*2 , LPCM 4ch (96 kHz 24 bit)*2 , PCM 4ch (96 kHz 32 bit float)*2
Slow & Quick Motion (S&Q)
Yes
Proxy recording
Yes
TC/UB
Yes
RAW Output
Yes (HDMI)
Memory card slot
SLOT A: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT B: Multi slot for SDXC (UHS-I/II compliant) memory card / CFexpress 2 Type A card
Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus point
Max. 759 points (phase-detection AF)
Recognition target (Movies)
Human
Recognition target (Movies)
Animal
Recognition target (Movies)
Bird
Other features
AF Subj. Shift Sensitivity (Movie)
ISO sensitivity
ISO 320 - 409600 equivalent, AUTO (ISO 320 - 409600, selectable upper limit)
Type
8.8 cm (3.5-type) type TFT
Touch panel
Yes
Number of dots (total)
2 764 800 dots
Adjustable angle
Opening Angles (approx.): Up 98 °, down 40 °, side 180 °, rotation 270 °
Movies
Approx. 1.5x (4K), Approx. 2x (HD)
Shutter speed
Movies: 64 F to 1/8000 s
Type
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Mode
Movie: Dynamic active / Active / Standard / Off
FUNCTIONS
Screen Reader
PC interface
Mass-storage
Multi / Micro USB terminal*3
-
USB Type-C® Terminal
Yes (PORT1: SuperSpeed USB 10 Gbps (USB 3.2) compatible, PORT2: Hi-Speed USB 480 Mbps (USB 2.0) compatible)
Wireless LAN (built-in)
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac/ax (2.4 GHz band/5 GHz band/6 GHz band))*4
Bluetooth
Yes (Bluetooth Standard Ver. 5.3 (2.4 GHz band))
HDMI output
HDMI connector (Type-A)
Multi Interface Shoe*6
Yes (with Digital Audio Interface)
Mic Terminal
Yes (3.5 mm Stereo minijack)
XLR audio input
Yes (3-pin (female) x2)
Headphone terminal
Yes (3.5 mm Stereo minijack)
Remote Control (Wireless)
Yes (Bluetooth remote control)
LAN terminal
Yes (2.5GBASE-T, 1000BASE-T, 100BASE-TX)
Functions
FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi)
VF terminal
Yes
Video data format
MPEG-4 AVC/H.264
Video resolution
3840 x 2160
Audio data format
AAC-LC 2ch (16bit 48 kHz)
Protocol
RTMP
Microphone
Built-in, stereo
Speaker
Built-in, monaural
Lens compensation
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Battery
One rechargeable battery pack NP-SA100
Movies (actual shooting)*8
Approx. 105 min (LCD monitor) (CIPA standard)
Movies (continuous shooting)
Approx. 170 min (LCD monitor) (CIPA standard)
Internal battery charge
Yes (Available with USB Type-C terminal. USB Power Delivery compatible)*9
USB power supply
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
With LCD screen
Approx. 7.4 W (with FE 28-70mm F3.5-5.6 OSS II lens attached)
including Accessory
Approx.1046 g
With battery and memory card
Approx. 734 g
With battery and memory card (oz.)
Approx. 1 lb 9.9 oz
Body only
Approx. 643 g
Body only (oz.)
Approx. 1 lb 6.7 oz
Dimensions (W x H x D)
Approx. 132.2 x 79.0 x 87.0 mm (from grip to monitor)
Operating temperature
0 - 40 ℃ / 32 - 104 °F
Storage temperature
-20 to 55 ℃ / -4 to 131 °F
Supplied Accessory
Rechargeable Battery NP-SA100
*8 Indication recording time, which is defined by repeating the cycle
Power on, start recording, zoom , stand-by and power off.

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